Tim Brinkhof

Tim Brinkhof

Tim Brinkhof

Tim Brinkhof is a Dutch-born, New York-based journalist reporting on art, history, and literature. He studied early Netherlandish painting and Slavic literature at New York University, worked as an editorial assistant for Film Comment magazine, and has written for Esquire, Film & History, History Today, and History News Network. 

Collage of geopolitical symbols, featuring a close-up of a man's bald head, China's flag, a globe highlighting Taiwan, and circuit patterns.
Both nations made missteps, but China still has a chance to make up lost ground.
Close-up of a colorful microchip wafer with geometric patterns and reflective surfaces.
Hang on to something — or ride the wave — because three big tech trends are about to converge.
A glitch art depiction of an old sketch reminiscent of Da Vinci, featuring a bearded man in a hat with digital distortion weaving through his face.
Burns’ latest documentary dives into the long-romanticized life and work of the Italian polymath.
"We are not our grandparents. It’s time to start thinking differently," journalist Annie Jacobsen told Big Think.
A globe is encircled by golden barbed wire against a gray background, evocative of autocracy and symbolizing restriction or confinement with a sense of luxury.
Modern autocracies operate "not like a bloc but rather like an agglomeration of companies," says journalist and historian Anne Applebaum.
A grayscale photo of a man is on the left page of an open book, while the right page features an illustration of a white dove with red accents on a yellow background, symbolizing freedom.
Historian Timothy Snyder talks with Big Think about how true liberty requires both negative and positive freedoms.
A man with long hair, a beard, glasses, and a bandana on his head, reminiscent of David Foster Wallace, poses for a portrait against a plain background.
The writer’s tragic death at age 46 has led many to view him as a tortured artist. Here’s why this label is reductive.
Film strip collage of abstract images—including faces with X marks, colorful patterns, and nature elements—evokes the vibrant allure of "Crazy Rich Asians.
"No matter how long you’ve been doing a job or how good people say you are, you need to care as if you’ve never done it before."
A person lies in bed reading a book, wearing a white blouse, in a painting with soft, muted colors.
With the right prompts, large language models can produce quality writing — and make us question the limits of human creativity.
A room simulating a Martian landscape with red sand, rocky walls, a green tent, and NASA equipment.
"When you feel the isolation setting in at times, you have to reframe your mindset."
Five animated characters with various expressions of alarm gather around a control panel with a red button.
Meg LeFauve and Dave Holstein drew inspiration from psychologists as well as their own children, becoming more understanding parents in the process.
Abstract digital collage featuring a hand holding a phone with news content, binary code, and a stylized onion logo against a green and blue pixelated background.
What you can learn about media by parodying it from the print era into the digital age.
Ancient cave painting depicting animal figures, including what appears to be a bull and a bird, on a textured, brown and beige rock surface.
An analysis of Indonesian cave paintings is reframing the history of human art, though whether the paintings really were created by human hands remains an open question.
A collage of speech bubbles containing randomly oriented text, scribbles, and abstract shapes on a black background. Some bubbles feature words like "news" and "missed" partially visible.
In "Not Born Yesterday," author and cognitive scientist Hugo Mercier makes the case that misinformation is overrated — and other human foibles are underrated.
A split image with a blurred, colorful portrait of Sam Bankman-Fried on the left and Peter Singer on the right.
"The movement is much bigger than Sam Bankman-Fried, or any one person, no matter how wealthy," philosopher Peter Singer told Big Think.
A monochrome portrait of a man against a blue gradient background, evoking the intense drama of House of the Dragon. Features partial text overlays on the left and right sides.
Ryan Condal, who worked in pharmaceutical advertising before Hollywood, talks with Big Think about imposter syndrome, "precrastination," and Westeros lore.
A person in a black hat and coat raises a black square and a blue square against a clear sky, symbolizing their moral ambition.
In "Moral Ambition," Dutch historian Rutger Bregman argues that all would benefit from a collective redefinition of success.
A group of people, including children, wade through a shallow river in the forested area of the Darién Gap. One person carries a suitcase and other luggage on their back.
Each year, over half a million migrants cross the deadly jungle separating Colombia from Panama in search of a better life in the United States.
An open book is on a desk alongside stacked books and a pencil holder. The image has been digitally distorted with pixelation and a green overlay featuring a partial logo.
"We should be informed and educated about the risks of AI, but we can’t be afraid,” Khan Academy founder Sal Khan told Big Think.
People examining a detailed architectural model of a building and its surrounding area at an exhibition, reflecting the impact of the Chinese economy on urban development.
Misinterpreted data may be distorting Western predictions about the future of China's economy.