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Tim Brinkhof
Tim Brinkhof is a Dutch-born, New York-based journalist reporting on art, history, and literature. He studied early Netherlandish painting and Slavic literature at New York University, worked as an editorial assistant for Film Comment magazine, and has written for Esquire, Film & History, History Today, and History News Network.
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Far from practicing witchcraft, the experimentation of medieval alchemists helped bring about the Scientific Revolution.
Created in the 1880s, "Ivan the Terrible and His Son Ivan," which depicts a father murdering his son, divides Russians to this day.
Studying the display of personal wealth across time can help us better understand the history of socioeconomic inequality.
In many city-states, it was perfectly acceptable for older men to have sexual relationships with young boys.
If tourism is the lifeblood of the Peruvian economy, then Machu Picchu is the heart pumping that blood — in sickness and in health.
The “money taboo” is not a single taboo, but rather an amalgamation of several smaller taboos tied to gender and socioeconomic class.
Million Stories
If comedies do get made today, they usually bypass the big screen and go straight to streaming platforms.
Without Étienne-Joseph-Théophile Thoré, the genius of the Dutch painter Johannes Vermeer would have been lost to time.
While Costco warehouses may remind shoppers of Walmart, this membership-only retailer has a business model that more closely resembles Amazon or Netflix.
Million Stories
For decades, cinemas have earned more from concessions than ticket sales. But can their current business model survive in the streaming age?
Million Stories
We don’t know when or how music was originally invented, but we can now track its evolution across space and time thanks to the Global Jukebox.
Climate activists' brand of iconoclasm is far removed from the Beeldenstorm that swept medieval Europe.
A conservator from the Rijksmuseum explains how they went about investigating whether the painting is a genuine Rembrandt.
For centuries, the only way to travel between the Old and New World was through ships like the RMS Lusitania. Experiences varied wildly depending on your income.
Late-night shows, developed during the "golden age" of TV, are no longer as relevant in the age of streaming services and Donald Trump.